Clint Eastwood turned down the chance to star in the bizarre 1970s thrillerEyes of Laura Mars, penned by a young John Carpenter. After his debutDark Starfailed to find an audience in the early 1970s, Carpenter turned his hand to screenwriting. He penned many specs during this time, includingEscape from New York.

As a director, few can touchJohn Carpenter’s movierun from the late 1970s through to the 1990s, where he made back-to-back classics likeHalloweenandThe Thing.Carpenter also wanted to work with stars of Clint Eastwood’s caliber, but the two never collaborateddespite several efforts on Carpenter’s part.

Faye Dunaway doing a photo shoot in Eyes of Laura Mars

It’s ironic that probably the closest Eastwood came to fronting aJohn Carpenter horror moviewas one where the latter acted as screenwriter only.Eyes of Laura Marsis a lurid 1978 chiller where the titular fashion photographer mysteriously gains the ability to see through a serial killer’s eyes.

The film was a decent hit, nabbing over twice its production budget with a $20 million box office haul (viaBox Office Mojo).Eyes of Laura Marswas an effort to make a classier slasher, but reviews were largely mixed, with several critics finding it shallow.

Closeup of Clint Eastwood looking offscreen in Pale Rider

Clint Eastwood Passed On John Carpenter’s Eyes Of Laura Mars As He Found The Idea “Too Gimmicky”

Eastwood didn’t have the vision for Eyes of Laura Mars

InConversations with Clint: Paul Nelson’s Lost Interviews with Clint Eastwood, 1979-1983, Eastwood discusses several projects that slipped through his fingers. One of these wasEyes of Laura Mars, where the studio offeredClint the chance to direct and co-star as the lead detective character when Barbra Streisand was attached to the title role.

This was back when Streisand was talking about doing the film and playing the part. It was a model then who saw all these things and it was a great excuse to wear a lot of clothing and stuff. But it seemed very much like a gimmicky kind of idea.

Sheryl Lee’s Katrina stands in a doorway looking unimpressed in John Carpenter’s Vampires

While there are a fewClint Eastwood slashersin existence - including his directorial debutPlay Misty for Me -it’s not a genre he’s returned to much. He may have felt thatEyes of Laura Marswas already a little close toPlay Misty for Metonally, but it sounds like the premise itself was the main concern.

After Steve McQueen and Barbra Streisand dropped out of it, Clint Eastwood and his then-girlfriend Sondra Locke took over as the stars of 1977’sThe Gauntlet.

Eyes of Laura Mars - Poster

In general, Eastwood is quite old-fashioned and traditional when it comes to his directing work, and eschews “gimmicks” he feels distract audiences from the story being told.A slasher movie where he would have to film several sequences from a killer’s POV just wouldn’t have been to Eastwood’s tasteas a director.

John Carpenter Tried To Work With Clint Eastwood Many Times

Clint Eastwood didn’t want to Escape from New York

Thanks to the success of theDirty Harrymovies, Eastwood became one of the biggest movie stars on the planet during the 1970s. This coincided with his move behind the camera, and it became typical to either find him directing his own projects or having a large amount of creative say in how they were made.

When he first penned the screenplay forEscape from New Yorkin the 1970s, Carpenter pictured Clintplaying Snake Plissken. However, by the time the film was made in 1981, Eastwood was far outside the budget range of the dystopian action thriller.

Headshot Of Clint Eastwood In The AFI Fest 2011

Kurt Russell has since admitted he’s imitating Clint Eastwood inEscape from New York…

After replacements like Charles Bronson were considered, Kurt Russell accepted the role. While the man himself may have passed on the project, Russell has since admitted he’s secretly playing Eastwood inEscape from New York. From the raspy voice to the cool demeanor,Snake is essentially a futuristic take on Clint’s Man with No Name.

When Carpenter’sBig Trouble in Little Chinawas poised to do battle with Eddie Murphy’s similarly themedThe Golden Childin 1986, the director wanted to recruit a major star, too.Carpenter’s first choices for his fantasy epic were either Jack Nicholson or Clint Eastwood, but both turned it down.

Once again, Russell became Eastwood’s replacement as the lead ofBig Trouble in LittleChina. Instead of imitating Clint again, Russell used the film to test out his best swagging, blowhard John Wayne impression; the results are delightful.

John Carpenter Hated The Final Version Of Eyes Of Laura Mars

Carpenter has all but disowned Eyes of Laura Mars

Carpenter made a healthy living as a writer while he tried to get his directing career off the ground, which included selling his specEyesto Streisand and her then-producer/boyfriend Jon Peters.Carpenter had next to no involvement after handing over his script, and did not approve of what it became.

Carpenter was clearly proud of his originalEyes of Laura Marsscreenplay, feeling it had a great hook for a slasher/horror movie. The final film bore little resemblance to what Carpenter wrote, including adding a twist ending that reveals the killer is somebody close to Laura, which only opens up several plot holes.

In an interview Carpenter gave toThe Guardianin 1994,Carpenter underlined how the filmmakers behindEyes of Laura Marsfailed to understand his, umm, vision for it. Carpenter pictured using the newly invented panaglide camera (which he used for Michael Myers' POVs inHalloween), only to learn from the movie’s producer that they messed this part up.

After learning they hadn’t shot the POV scenes with a steadycam, Carpenter then asked if they filmed his original finale. This involves Laura (played by Faye Dunaway) having to hide from the killer while only being able to see through his perspective.

‘Well, did you have the killer attack her and she was defending herself by hiding and seeing through his eyes?’ ‘No, we didn’t do that either.’ I can’t help ya. That was Jon Peters, by the way.

DespiteEyes of Laura Marshaving developed a cult fandom in the years since (James Wan used it as inspiration for his 2021 horror movie,Malignant), Carpenter doesn’t seem to have warmed to it. He had a clear vision for how it should have been executed, but the final film fell short.

John Carpenter’s Vampires Resurrected His Original Eyes Concept

Vampires became a stealth Eyes remake

The glossyEyes of Laura Marsand Carpenter’s savage horror WesternVampirescouldn’t be more different tonally, but the latter gave Carpenter a chance to dust off his originalEyespremise. A key subplot inVampiresinvolves a sex worker named Katrina (Sheryl Lee) being bitten by a powerful vampire and being able to see through his eyes.

This remote viewing leads to several creepy scenes where Katrina is forced to watch this creature slash through victims, which the vampire hunters (led by James Woods' Jack Crow) then use to track him down. While not a huge part ofVampiresoverall, it gave Carpenter a chance to show off his original plan forEyes of Laura Mars.

Source:Box Office Mojo, Conversations with Clint: Paul Nelson’s Lost Interviews with Clint Eastwood, 1979-1983,The Guardian/YouTube

Eyes of Laura Mars

Cast

Eyes of Laura Mars is a thriller directed by Irvin Kershner. Faye Dunaway stars as Laura Mars, a controversial fashion photographer who begins experiencing visions of murders as they occur. Tommy Lee Jones plays Detective John Neville, who assists her in uncovering the connection between her work and the violent crimes. Set against a backdrop of high fashion and grisly murders, the film delves into themes of perception and reality.

Clint Eastwood

Discover the latest news and filmography for Clint Eastwood, known for Dirty Harry and Unforgiven.